After Mary Kom, Omung Kumar comes up with his second directorial, another biopic based on the life of Sarbjit who was an Indian national who was tried and convicted by the Supreme Court of Pakistan for a series of bomb attacks in Lahore and Faisalabad that killed 14 bystanders in 1990. Omung has opted for multiple composers this time, giving just one song to his previous composers Shashi-Shivamm and the rest to Shail-Pritesh, Amaal Mallik, Jeet Gannguli and Tanishk Bagchi.
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Music Label: T-Series
1. Salamat – Singers: Arijit Singh, Tulsi Kumar; Music: Amaal Mallik; Lyrics: Rashmi Virag – Amaal comes up with one of his best melodies which he apparently created when he was just 17 which is a huge accomplishment in itself. The melody is predictable and very Jeet Gannguli-like yet it is so strong and appealing that one wants to hear it more and more. Arijit is more than perfect here and Rashmi Virag doesn’t fail to impress at all. Both the interludes are technically good and the antara is as heartwarming as the mukhda. Simply remarkable!!
2. Dard – Singer: Sonu Nigam; Music: Jeet Gannguli; Lyrics: Rashmi Virag, Jaani – Although it’s a typical Jeet Gannguli composition, also very predictable in the antara, the song nonetheless creates a huge impact primarily the reason being the vocals and the lyrics which contains phrases like “jo tujhe lagta baarish hai, main woh hun jo roun”. The composition is anyway extremely impressive. This song is a realization of the craving to hear more from Sonu Nigam.
3. Tung Lak – Singers: Sukhwinder Singh, Sunidhi Chauhan, Shail Hada, Kalpana Gandharv; Music: Shail-Pritesh; Lyrics: Sandeep Singh – After two heart-warming melodies comes an entirely different mood by Shail-Pritesh with a Punjabi folksy textured song that is delivered quite justly by Sukhwinder and Sunidhi. The song doesn’t appeal much yet it has a flair of likeability.
4. Rabba – Singer: Shafqat Amanat Ali; Music: Tanishk Bagchi; Lyrics: Arafat Mehmood – Comes the fourth composer Tanishk with a decent composition having Shafqat behind the mic who handles it quite nicely making the song sound better than ordinary since the composition and lyrics have been extremely mediocre.
5. Meherbaan – Singers: Sukhwinder Singh, Shail Hada, Munnawar Masoom; Music: Shail-Pritesh; Lyrics: A M Turaz – Sukhwinder along with Shail and Munnawar brilliantly capture the song, making it quite engaging with their vocals which otherwise does not have much of appeal to captivate the listener. The song has a qawwali texture and these pseudo qawwalis do not impress unless they have the much needed uniqueness in the melody itself. Vocals engage, composition doesn’t.
6. Barsan Laagi – Singer: Shail Hada; Music: Shail-Pritesh; Lyrics: A M Turaz – Moving on the semi-classical mood, the composition is laden with beautiful arrangements by the duo. Shail’s singing is an icing on the cake, as the soft texture of his vocals sounds apt for the composition. The Guitar pieces in-between sounds pleasant and the lyrics has its own charm. Ravishing.
7. Allah Hu Allah – Singers: ShashaaTirupati, Altamash, Rabbani Mustafa Khan (Additional Voices: Arsh Mohammad, Supriya Pathak); Music: Tanishk Bagchi; Lyrics: Late Haider Najmi (Additional Lyrics: Arafat Mehmood) – Tanishk moves to a whole another level with this composition which is so extremely brilliantly sung, composed, arranged and written. The rhythmic structure is so intriguing and alluring and the instruments have been arranged creating such a fascinating sound that one wishes if the song had a longer duration. #WelcomeSong
8. Mera Junoon – Singer: Shail Hada; Music: Shail-Pritesh; Lyrics: A M Turaz – Shail again strikes with his endearing vocals for the song that is composed with sincerity. The melody is dynamic, having constantly changing notes which keeps the listeners engaged throughout. Each line has a variation in notes which makes it highly intriguing.
9. Nindiya – Singer: Arijit Singh; Music: Shashi-Shivamm; Lyrics: Sandeep Singh – The duo who were the only composers of Mary Kom, Shashi-Shivamm, inspite of getting just one song, have struck the right chord with a lullaby that has such varied notes yet remains melodious throughout. Arrangements are according to the mood and Arijit’s voice is a perfect stimulus for a lullaby.
10. Sarbjit Theme (Instrumental) – Singer: Shail Hada; Music: Shail-Pritesh – With Violins and apt chords, Shail-Pritesh have captured the mood of the whole film enormously and effectively.
Seven brilliant tracks out of ten, leaving three in average zone, Sarbjit manages to pull out the brilliance in all five composers.
The Final Verdict: POSSIBLE
The Verdict Order: DISAGREE < NOT A PROBLEM < OKAY < POSSIBLE < AGREE