Small Impression, Great Impact!! (Poorna – Music Review)

A story about Malavath Poorna, the youngest girl to climb Mount Everest played by Aditi Inamdar is directed by Rahul Bose who is debuting as a director. Music is by Salim-Sulaiman.

CLICK to buy

CLICK to Listen


Music: Salim-Sulaiman;  Lyrics: Amitabh Bhattacharya;  Music Label: Zee Music Company


1. Kuch Parbat Hilaayein / Kuch Parbat Hilaayein (Intimate) – Singer: Arijit Singh / Salim Merchant – It starts off well and becomes quite staid as it proceeds.More melodious should have been the mukhda. In antara things get fine again. Amitabh’s lyrics have a more noticeable quality. Another version, sung by Salim himself is more appealing and sounds less staid because there’s Rock background and the arrangements have unplugged setup.


2. Poori Qaaynaat – Singers: Raj Pandit, Vishal Dadlani – Now this is something that definitely brings you a smile if you’re a music lover waiting for an appealing melody to hit you and penetrate into you with its classically laid notes sung efficiently by Raj Pandit. This has actually been adapted from their own work for Coke Studio @ MTV Season 3. The lyrics and the singers were different. While Raj Pandit replacing Rashid Khan is equally refreshing, Vishal Dadlani who gets a decent supporting portion which provides a fusion angle to the song, is a better replacement for Salim himself. The notes are as effective as Raj Pandit’s singing. One of the most outstanding portions in the song is when Sitar is played. Amitabh Bhattacharya writes another inspiring one.


3. Baabul Mora – Singing: Arijit Singh – It sounds like a vocal prelude when Arijit begins but eventually the whole song turns out to be like that. There’s hardly a percussion, just a one-beat rhythm. The song works mostly because of the beautiful notes and the way Arijit has managed to justify it. Salim-Sulaiman has pulled up their creative strength and come up with a song like this which has a great emotional impact, sonically and cinematically. Comes under the bests of Salim-Sulaiman and Arijit.


Salim-Sulaiman might have reduced their quantity of work too much but they still are not compromising with the quality. 

Worth Listening: Poori Qaaynaat, Baabul Mora

The Final Verdict: 3.5/5


Public Ki Sameekshaa

Shashwat Sachdev: The Next Big Thing!! (Phillauri – Music Review)

Anshai Lal’s directorial debut is under Clean Slate Films, a production house by Anushka Sharma and her brother Karnesh Sharma. It stars Anushka Sharma, Diljit Dosanjh, Suraj Sharma and Mehreen Pirzada.

CLICK to buy

CLICK to Listen


Music Label: T-Series


1. Dum Dum / Dum Dum (Punjabi Version) / Dum Dum (Reprise) – Singers: Romy, Vivek Hariharan / Diljit Dosanjh;  Music: Shashwat Sachdev;  Lyrics: Anvita Dutt / Shellee – Romy spell bounds with his Shahid Mallya sounding vocals, deeply rooted in Punjabi folk. Shashwat makes sure that the song doesn’t become one of the many Punjabi melodies and remains unique. He achieves that through a particular style of using percussion. Vivek makes a cameo and leaves a mark of his own. Shashwat has quite cleverly blended the folk and classical element into his composition. Anvita’s lyrics does complete justice to ensure the metaphorical yet rooted mood of the song.The Punjabi version doesn’t have much of a difference in arrangements. The difference is basically in the lyrics written by Shellee. Reprise in Diljit’s voice is equally good and refreshing.


2. What’s Up – Singers: Mika Singh, Jasleen Royal;  Music: Jasleen Royal;  Lyrics: Aditya Sharma – Jasleen enters the scene with a typical Mika track which when starts sounds exactly like the latest Cutie Pie from Ae Dil Hai Mushkil. Considering that the song doesn’t belong to Jasleen’s comfort zone, she does quite an impressive job. The notes are significantly catchy and Mika surprisingly justifies the lyrics quite well. The lyrics is out and out Punjabi and goes totally well with the composition.


3. Naughty Billo – Singers: Diljit Dosanjh, Nakash Aziz, Shilpi Paul;  Music: Shashwat Sachdev;  Lyrics: Anvita Dutt –The way it transits from sounding raw to landing on EDM makes it quite exciting. The beats are well programmed giving emphasis on exact words. Shashwat is able to manage the ensemble of three singers, each complimenting one another. The ending could have been better compared to the clever start. Anvita’s lyrics doesn’t seem to have much a role but she really seems aware of the beats and cleverly put those words accordingly. Catchy. 


4. Sahiba – Singers: Romy, Pawni Pandey;  Music: Shashwat Sachdev;  Lyrics: Anvita Dutt – The song that was featured in the trailer is actually the best song of the album. A very interesting build up has been given in the mukhda for the line sahiba. It is this song where Anvita’s writing is noticeable. Pawni has a very short portion but she totally nails it and shows her versatility after Laila. But the show stealer is Romy. The way he has managed to sing such varied sounding portions of the song, it’s remarkable. His vocals do complete justice. This composition is so well arranged and unusually structured that one has a natural curiosity to hear it again. Well done Shashwat!


5. Bajaake Tumba – Singers: Romy, Shehnaz Akhtar;  Music: Shashwat Sachdev;  Lyrics: Anvita Dutt – By now, it’s safe to assume that Romy must be the voice of Diljit in the film. Such varied notes in the mukhda enthralls you and the way he carries those notes with such ease is something to listen for. The song is more lyric-oriented. There’s a narrative element to it which Anvita has written so authentically and Shashwat has carried the song with those arrangements that you feel a part of that rural environment.  

6. Dil Shagna Da – Singer: Jasleen Royal;  Music: Jasleen Royal;  Lyrics: Neeraj Rajawat – Falling in her comfort zone, Jasleen seems to have fallen short this time with not-so-adorable composition. The kind of a tune she chose to have, she should have added some interesting elements to avoid being monotonous. The tune is indeed likable but not something to fall for. 


With Phillauri, Shashwat Sachdev is going to be the next most promising composer. 

Worth Listening: Dum Dum, Sahiba

The Final Verdict: 3.5/5


Public Ki Sameekshaa

Short yet Solid!! (Trapped – Music Review)

Vikramaditya Motwane after Udaan and Lootera which had huge role of songs, has come with a film where songs are hardly important. It’s a survival drama starring Rajkummar Rao and Geetanjali Thapa. Music is given by Alokananda Dasgupta.

CLICK to Listen


Music: Alokananda Dasgupta;  Lyrics: Rajeshwari Dasgupta;  Music Label: Zee Music Company


1. Dheemi – Singer: Tejas Menon – Purely acoustic, the song captures the still life of the protagonist trapped in an apartment. Tejas with his breezy vocals justifies the melancholy. Alokananda’s decision of sticking to acoustic helps.


2. Hai Tu – Singer: Gowri Jayakumar – With a similar feel, Alokananda has made it more breezy. The impressive use of chorus adds on to the spirited feel. Gowri’s vocals give a sense of relaxation and the slow paced instrumentation heightens that.


3. Trapped Theme – Instrumental – At the beginning, it seems intense but soon it gets lighter in the mood. With excellently played Piano, the theme has such spontaneously flowing notes that one wishes if it had lasted longer.


4. I Am Trapped – Instrumental – Sounds which we heard in the trailer, the track is full of those and much more. It’s haunting and the way it has been arranged and programmed, it psychologically works extremely well. The sound of a drop of water or the cracking of plate and spoon make a haunting impact.


This short yet solid album from Alokananda Dasgupta eases out, relaxes, then haunts, intensely. 

Worth Listening: Trapped Theme, I Am Trapped

The Final Verdict: 3.5/5


Public Ki Sameekshaa