I – Music Review (Tamil)

This is the first music review of a Tamil film album as Musical Sameekshaa has extended its boundaries to Tamil, Telugu and Bengali film music. In the very first review, I find a very strange thing that this film “I” which is going to release on 9th January 2015, its music already got released 4 months back i.e on 15th September 2014. The film has been directed by a renowned Tamil director Shankar who has already worked with AR Rahman and given multiple hit albums. I_film_poster


CLICK HERE to buy Full Soundtrack of I from iTUNES!!


CLICK to Listen Full Songs


Music: AR Rahman;  Music Label: Sony Music


1. Mersalaayiten – Singers: Anirudh Ravichander, Neeti Mohan;  Lyrics: Kabilan

Rahman begins the soundtrack with a catchy techno tuned song that pleasantly engages you but soon you come to know that it’s actually partially hollow from inside as he doesn’t seem to have worked much with the composition. Neeti has an amusing cameo though Anirudh unfortunately hardly leaves any impact with his singing, more because of the vocal processing. The Violin piece in the second interlude is worth appreciating and the arrangements have been taken care of charmingly by the composer. That techno tune is what makes you return again and again for this song.


2. Ennodu Nee Irundhaal / Ennodu Nee Irundhaal (Reprise) – Sunitha Sarathy, Sid Sriram / Chinmayi, Sid Sriram;  Lyrics: Kabilan

Sid Sriram has actually nailed this one. There’s not a single moment when you don’t praise his singing, except the ones where Sunitha has played her short but lovely role, balancing the soothe with her classically woven textural voice. Along with Sid, there’s Flute, Guitar and typical Rahman-ish vibrant Piano pieces that provide you the much needed comfort zone in this technically complex track but that comfort zone dies out when the perturbed sounding arrangements in the Electric Guitar piece take over, although thanks to Sid for presenting his knack for flexible singing. The same lines crooned by Chinmayi in the Reprise version, sounds even better and more profound as the sweetness of her vocals goes deep and gets intense. This version is less complex in arrangements and hence has the ability to get more listeners in comparison. Chinmayi in Reprise, Sid Sriram in original have spelled their magic beautifully!


3. Ladio – Singer: Nikita Gandhi;  Lyrics: Madhan Karky

Ladio is all about playing with techno sounds and Rahman has quite creatively played with that resulting it in sounding catchy, attractive and most importantly international. At one point, you forget that you are actually listening to a Tamil song. Nobody seems to be aware about the word “Ladio” but sounds like a mixture of Lady and Radio. Nikita Gandhi is pretty good with her singing, promisingly justified the genre of the track which is highly enjoyable and has an awesome international feel. 


4. Pookkalae Sattru Oyivedungal – Singers: Haricharan, Shreya Ghoshal;  Lyrics: Madhan Karky

That Guitar-led sound is somewhat very fascinating and catchy too, making the listeners draw by its melodic charm. Shreya and Haricharan are icings on the cake. They have taken this already charming composition to a completely different level, justifying each note of it. Rahman hasn’t used much instruments here as the Guitar is more than enough to fascinate you. It’s melodious to its core! A Must Listen track! #WelcomeSong


5. Aila Aila – Singers: Aditya Rao, Natalie Di Luccio;  Lyrics: Madhan Karky

Inspite of Natalie having done complete justice to what she is provided with, the song lacks goodness in the tune. Rahman has tried making it a “different” kind of track which upto certain extent, has worked in the form of excellent arrangements and setting up of the chorus, but lets the listeners down when you look out for a tune to croon. Aditya sounds pretty decent and Natalie’s operatic singing adds to the uniqueness of the track. Though “different” in many aspects, still gets boring after a certain point.


This soundtrack is all about showing Rahman’s quality of being a techno-savvy. Pookkale Satru Oyivedungal is a winner among all the tracks.


The Final Verdict:  POSSIBLE




Musical Sameekshaa Trimester-II Awards 2014 – Results (April, May, June)

These are the results for the Trimester-II Awards of this year.


Best Backing Vocals/Chorus:  Shankar Mahadevan – Chaandaniya  (2 States)


Best Recorded Song:  Banjara  (Ek Villain)


Best Arranged Song:  Soney Do  (Citylights)


Best Use of an Instrument:  Ektara in Ek Charraiya (Citylights) by Jeet Ganguly


Song That Provided Wholesome Entertainment:  Locha-E-Ulfat  (2 States)


Best Singer (Female):  Shubha Mudgal – Jal De  (Jal)


Best Singer (Male):  Arijit Singh – Ek Charraiya  (Citylights)


Best Singer Jodi:  Chimayi & Gajendra Verma – O Humnavaa  (Samrat & Co.)


Best Composer (Song):  Pritam – Ashq Na Ho  (Holiday)


Best Lyricist:  Mithoon – Banjara  (Ek Villain)


Best Composer (Album):  Shankar-Ehsaan-Loy – 2 States


Best Song:  Locha-E-Ulfat – 2 States  (Shankar-Ehsaan-Loy, Amitabh Bhattacharya)


Best Album:  2 States – T Series 

Singers: Aditi Singh Sharma, Amitabh Bhattacharya, Benny Dayal, Arijit Singh, Chinmayi, Akriti Kakkar, Shahid Mallya, Shankar Mahadevan, Siddharth Mahadevan, Gaurav Gupta,

K  Mohan, Yashita Sharma and Rasika Shekhar

Music: Shankar-Ehsaan-Loy

Lyrics: Amitabh Bhattacharya


Next:  Lekar Hum Deewana Dil


It’s all about the Blind Following! (Samrat & Co. – Music Review)

Indians have the habit of blindly following their contemporaries. Mohit Suri, last year, gave a soundtrack which touched millions of hearts with Mithoon and Ankit Tiwari being the most popular in that multiple composer soundtrack. Now since their togetherness created a rage, other producers have started taking advantage of that. So, this Rajshri Productions’ Samrat & Co. have the same togetherness having one song by Mithoon, two by Ankit Tiwari and the remaining one by a trio Gopal, Anand and Pawan. Samrat_&_Co_—_poster



CLICK HERE to buy Full Soundtrack of Samrat & Co. from iTUNES


CLICK to Listen Full Songs



Music Label: Rajshri Music / Sony Music


1. Tequila Wakila – Singers: Shreya Ghoshal, Ankit Tiwari;  Music: Ankit Tiwari;  Lyrics: Sanjay Masoom

This heard-before melody seem to belong to the previous decade. The tune is damn catchy and addictive but the overview of the song leaves a stale impression on the listener. Ankit has used Horns throughout the track and after a certain limit of time, it starts sounding boring as there’s no different interludes. In both the interludes, the same notes of Horn is played which soon vanishes all the excitement which you had after listening such an addictive tune. Shreya’s vocals contribute a lot in resisting the listeners’ excitement as her vocals have that glare which gives the glamorizing feeling to the ears. Ankit has just the hook line as a singer. Sanjay Masoom’s lyrics completely fail to impress. Tequila has no connection with the rest of the lyrics of the song. Just for the sake of a catchy name, he did that. And he did it quite badly. A one-time listen for the catchy tune and Shreya’s vocals. The rest attempts depend on a particular listener.


2. Shukr Tera – Singers: Chinmayi, Arijit Singh;  Music: Mithoon;  Lyrics: Mithoon

After Tumhi Ho, Mithoon seems to be more careful in composing and that’s why he is losing up his original sound. Anyway, that’s another topic. After Baarish, there’s again a beautiful and peaceful melody which has everything to impress a romantic listener. At the starting, you feel that it should have been sung by Shreya but as you move on, Chinmayi’s vocals start seeming perfect for this melody. It starts with Chinmayi’s humming and a beautiful Guitar piece follows. Talking about the basic melody, well it is much weaker than that of Baarish. But Mithoon has overpowered all that by the instruments this time. In Baarish, if you were impressed with Sarangi, you would be flattering the Guitar which has been played here. The first antara belongs to Chinmayi alone. The mild Piano in the second interlude followed by mesmerizing Violin piece set the decorative entry for Arijit Singh. His antara starts from the high note and completes the song by not leaving any flaw behind. Besides the music, I specially want to recommend you the lyrics. For me, it is definitely Mithoon’s best work as a lyricist. She says “Kis tarah se shukr tera ab ada karun main” and he, in reply, says “Dene wala sab dekar bhi keh raha hai shukriya”. A must listen track just like all Mithoon tracks are. Mithoon as a lyricist impresses more than as a composer. #WelcomeSong


3. Sawaalon Mein – Singer: Shreya Ghoshal;  Music: Ankit Tiwari;  Lyrics: Sandeep Nath

The trio of Sun Raha Hai is back in this song. Sandeep Nath joins Ankit and Shreya with his writing. The song has been tried of creating a thrilling impact, a kind of suspense oriented atmosphere but the attempt seemed a failure as the track sounds more like a horror film song. Melody is undoubtedly beautiful. Shreya’s vocals sound enchanting and haunting. The whole haunt has been given by Piano with a flattering supportive rhythm. The antara is filled with variations making the song tough to sing. There’s not a single moment of plainness in the antara. Each note is entirely different from the other. As an overview, the song sounds simple but when you listen to it with care, it fascinates you for its variations. Lyrics by Sandeep Nath is not memorable as in Sun Raha Hai as this is of different genre, but very apt for the situation. It is thoughtful and metaphorical. One of the best haunting melodies. 


4. Samrat & Co. – Singers: Benny Dayal, Pavan;  Music: Gopal, Anand, Pawan;  Lyrics: Gopal Dutt

You wonder how and why in a melodious soundtrack, comes such a track. Although not intolerable, it’s a very staid composition which presents the irresponsible approach of composers towards the song. I wonder why the three guys hired Benny Dayal to sing such a lame track. They could have sung it together. The lyrics which are written by one of the composers Gopal, are just the boasting of how good Samrat and his company is. There are also some senseless boring dialogues in between which make it worse. Skip this one purposely.


5. O Humnavaa – Singers: Chinmayi, Gajendra Verma;  Music: Mithoon;  Lyrics: Mithoon

What Meri Aashiqui is for Tumhi Ho and Mujhe Ishq Se is for Baarish, O Humnavaa is for Shukr Tera. Gajendra Verma replaces Arijit in this but his part is absolutely different. The way Palak Muchhal starts Meri Aashiqui and it gets connected to Tumhi Ho, in the same way Gajendra Verma begins. The rhythm is completely different and not the typical Mithoon style. The line wo hai bhala depicts the Mithoon of pre-TumhiHo period. The so-called hook line O Humnavaa is beautifully composed with bi-directional notes. It has a single antara but sounds complete in itself. Considering Shukr Tera, this is equally worth the attempt.


6. Samrat’s Theme – Instrumental;  Music: Sandeep Shirodkar

Since it’s a detective thriller, the theme track could have been pulsating and exciting. Sadly, the theme track completely fails to create any impact of thrilling experience. It rather contributes dullness towards the soundtrack. There’s no specific tune apart from the Violin which is continuously played throughout the track. A very ordinary theme track. 


Samrat  & Co. is saved by Mithoon and Ankit Tiwari. Tequila Vakila is an addictive heard-before composition, Sawaalon Mein has Ankit Tiwari trying something new and Shreya Ghoshal delivering a power packed performance. Mithoon’s Shukr Tera is as usual a strong melody rendered beautifully by Chinmayi, Arijit and Gajendra Verma in O Humnavaa. The title track by the trio and the theme track by Sandeep Shirodkar are leave without any impact. Samrat & Co. has Ankit Tiwari opening his genre driven boundaries and Mithoon coming up as a better lyricist than as a composer.


The Final Verdict:  OKAY



Listeners Ki Sameekshaa  (Public Review)


  •     Sony Music has finally tried the multi-composer formula which T-Series does in every other film. However,Sony Music has actually succeeded in getting the best from each of the composers. Ankit gives his best in his two songs, while Mithoon gives nice romantic tracks and GAP have given a great title track. Sony Music has succeeded where T-Series always goes wrong! Music-wise the album is great but not as good as the big hit albums of this year such as SKSE, Gunday, HTP or 2 States.But it will surely stay with you in the coming months. 
  • Shukr Tera- Chinmayi Sripada, Arijit Singh is highly recommended!
  • Shukr Tera from Samrat & Co is worth hearing. Soothing and refreshing. Thank you Chinmayi, Arijit and Mithoon.


Musical Sameekshaa Monthly Awards (April 2014)


Singer of the Month (Female):  Chinmayi – Shukr Tera (Samrat & Co.)

Singer of the Month (Male):  Benny Dayal – Locha-E-Ulfat (2 States)

Singer Jodi of the Month:  Chinmayi & Gajendra Verma – O Humnavaa (Samrat & Co.)

Composer of the Month (Song):  Sonu Nigam & Bikram Ghosh – Jal De (Jal)

Lyricist of the Month:  Mithoon – Shukr Tera (Samrat & Co.)

Composer of the Month (Album):  Shankar-Ehsaan-Loy – 2 States

Song of the Month:  Locha-E-Ulfat – 2 States  (Shankar-Ehsaan-Loy, Amitabh Bhattacharya)

Album of the Month:  2 States (T Series)


Next:  The Xpose